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Review of ‘Riki Lindhome: Dead Inside’: “Motherhood comedy is impregnated with pathos”
The Big Bang Theory star settles at the Soho Theatre’s main stage with this one-woman piece exploring her real-life struggles with pregnancy through humour and musical theatre. Guillermo Nazara shares his views to let us know if this newly born show is everything audiences are expecting. There’s only one thing that sucks worse than parenting.…
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Review of ‘Choir Boy’: “Socially vocal story needs to breathe”
The critically acclaimed coming-of-age play arrives in the London scene for a limited run, playing until the end of April. Guillermo Nazara shares his views on the show to let us know if this heartening story of friendship, discrimination, and resilience is likely to sing. There’s a lot to take from this play. Some good…
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Rupert Young, Gina Beck & Simbi Akande talk upcoming new musical ‘Flyby’: “People will be surprised how much they are affected by the script”
London’s Southwark Playhouse presents the world premiere of this new chamber musical featuring an A-list West End cast. Guillermo Nazara chats with the company to learn more about the show’s development and how this atypical love story will conquer or break the audience’s hearts. How does it feel to be opening a brand new musical…
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Review of ‘A Mirrored Monet’: “There’s nothing impressive about this impressionist musical”
London’s Charing Cross Theatre hosts the world premiere of Carmel Owen’s musical biopic of the influential painter. Guillermo Nazara shares his views on the show to let us know if its portrayal of the artist should be given the brush. In their defence, they never went as far as talking about a Russian who played…
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Review of ‘Ruth, The Ruth Ellis Musical’: “Lady-killer musical results in a criminal act”
London’s Wilton’s Music Hall presents this new neonoir musical exploring the trials and tribulations that led the infamous historical character to her tragic ending. Guillermo Nazara shares his straight-shooting views on the show to let us know if audiences will go ballistic about it. There’s only one thing that I’m grateful for in this musical,…
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Performer Anton Stephans talks touring production of ‘Rock & Roll Man’: “The power of musical will bring us all together — without judgement”
Known for his multiple career milestones, such as participating in the 2015 edition of The X Factor or starring in the UK tour of Little Shop of Horrors, the actor steps into a new multi-character role in this musical biopic of the man who changed the course of rock ‘n’ roll forever. Guillermo Nazara chats…
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Feature: Fantasies Come True! In the launch of Avenue Q’s West End revival
Twenty years after the show puppeted the London scene for the first time, Robert Lopez and Jeff Marx’s hit musical settles back in the West End in a revised version, playing for a strictly limited run. Join us as we attend the launch of this new production and discover what it has to offer only…
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Review of ‘American Pyscho’ (2026, Almeida Theatre): “Lethal revival is bound to make a killing”
The show makes a comeback to the London scene on the very stage where it originated. Guillermo Nazara shares his views to let us know if its sanguine return should be given the axe. There’s a love song. A love song about a business card: it’s bloody ridiculous. And that’s what makes it bloody brilliant.…
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Review of Ballad Lines: “Pregnancy-themed musical still delivers, but it needs more time in the oven”
London’s Southwark Playhouse hosts the world premiere of this original piece, where the lives of four separate women intertwine through blood, history, and song. Guillermo Nazara shares his views on the show to let us know if its gestation has endured any noticeable complications. This is their baby. And as such, we can appreciate the…
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Review of ‘Cable Street’: “Riot-themed musical still has a lot to demonstrate”
The Marylebone Theatre welcomes the show’s latest comeback, which is playing for a new limited run until the end of February. Guillermo Nazara shares his views on the piece to let us know if this artistic tribute to those fighting the system screams anarchy. There’s always a reason for a show’s return. And when it’s…
