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Review of ‘Mean Girls’: “It can’t help it if it gets that popular”

Tina Fey’s classic 2000s comedy travels to the West End stage through the UK premiere of its musical adaptation. Guillermo Nazara shares his views on the show, to let us know if this far-fetched piece is worth the grool. “On October 3rd, he asked me what day it was”. Come on, you knew I was…
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Review of ‘Marie Curie’: “In search for the missing element”

The Charing Cross Theatre hosts the London (and English-language) premiere of the Korean musical depicting the life of the iconic scientist. Guillermo Nazara shares his views on the show, to let us know if this sung-through recount of the acclaimed researcher manages to bring chemistry to the stage. The world is run by outcasts. And…
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Review of ‘Cirque’: “The Greatest Showmanship”

The grand spectacle production gets back on tour one more year, bringing a new improved montage featuring additional variety performances and mesmerising physical numbers. Guillermo Nazara shares his views on the piece, to let us know if this ambitious display of stunts and vocals actually strikes a chord. Every artist knows that moment… That singular…
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Review of ‘Passing Strange’: “Finding its corner of the sky”

Stew’s autobiographical musical travels from the Broadway scene through a limited run playing at London’s Young Vic until mid summer. Guillermo Nazara shares his views on the show, to let us know if this piece dealing with personal self-discovery is however at a loss. “Life is mistake. And it’s art that corrects it”. The haunting…
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West End concert production of ‘Bonnie & Clyde’ to be available for streaming from next month

Frank Wildhorn and Don Black’s popular musical travels to the screen through this play-on-demand recording filmed at Theatre Royal Drury Lane. Directed by Nick Winston and with sets and costume design by Philip Whitcomb, the performance features Jeremy Jordan and Frances MaylI McCann in the lead parts. It’s time to raise a little hell… But…
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Review of ‘Your Lie In April’: “A late bloomer”

Frank Wildhorn’s musical adaptation of the romantic manga lays new roots on the London stage in this two-day concert version playing in the heart of the West End. Guillermo Nazara shares his views on the show, to let us know if this budding piece is finally in flower. “What musician isn’t a bit crazy?”. Why,…
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Olivia Miller talks ‘Bloody Mary: Live!”: “People can be both victim and villain”

One of the most controversial figures in the British monarchy returns to the throne in this one-woman show promising, at least, a good execution. Guillermo Nazara chats with its performer and writer, to learn all the fun facts about this piece playing with fire in every possible sense. What prompted you to write a show…



