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The Royal Court announces full cast for upcoming futuristic play ‘More Life’
The venue will premiere this new piece directed by James Yeatman, produced in tandem with the Kandisnky Theatre Company. Written by Lauren Mooney, the story explores the facts of human existence through the story of a woman revived into a robotic body. What does it mean to be human? Are we still people when we…
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Review of ‘The River’: “Unstrained flow”
Jez Butterworth’s three-hander thriller returns to the London stage in a new production starring acclaimed television star Paul McGann. Guillermo Nazara shares his views on the show, to let us know if its fluid narrative manages to make a splash. What I like most about rivers is you can’t step into the same river twice…
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Review of ‘Giant’: “The last tale of the unexpected”
John Lithgow lands on the London scene to portray Roald Dahl in Mark Rosenblatt’s latest play, dealing with the author’s conflicting views about the Isreal conflict ahead of the publication of his newest book. Guillermo Nazara shares his views on the show, to let us know if this fictionalized look into the writer’s most controversial…
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Review of ‘Imposter 22’: “There’s still one more piece in the puzzle”
The Royal Court Theatre welcomes this new montage by the Access All Areas company, raising awareness about people with disabilities while regaling its audience with a good laugh. Guillermo Nazara shares his views on the show, to give us all the details about this surrealistic piece where murder brings out love. Being normal only means…
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Review of ‘Cuckoo’: “Where do we go from here?”
BAFTA Award winning writer Michael Wynne returns to the Royal Court Theatre with the world premiere of his latest play, exploring the threats of an outside world we cannot control. Guillermo Nazara shares his views on the show, to let us know more about a piece where the real danger comes from one’s inner fears.…
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Review of ‘All of it’: “There was even more”
Kate O’Flynn stars in this puzzling show featuring three plays in one, exploring the oddities of our own existence through new unusual points of view. Guillermo Nazara shares his thoughts on this production running at the Royal Court Theatre for a strictly limited period, to tell us all about a montage that, regardless in which…
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Review of ‘BLACK SUPERHERO’: “When sex f*cks principles up”
Desire, drugs and lust intertwine in this emotional roller coaster questioning the meanings of love and relationships. Guillermo Nazara reviews this original new play upon his attendance to its world premiere, to share his thoughts about a show where fantasy becomes the rawest depiction of reality.
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Feature: When London looked to the Eastern sky
Last month, the Royal Court Theatre world-premiered a set of three original pieces in association with Tokyo’s New National Theatre, in an unprecedented collaboration between both venues. Guillermo Nazara offers us an insight look at this intricate venture, upon interviewing its dramaturgs and artistic directors, to guide us into the depths of this innovative project…
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Crítica de ‘Baghdaddy’: “Está construyendo sus alas”
El debut en la dramaturgia de Jasmine Naziha Jones nos lleva a través de un ensueño de horribles revelaciones para analizar la moral que sustenta uno de los conflictos más controvertidos de la historia reciente. Guillermo Názara revisa esta nueva obra estrenada internacionalmente en el Royal Court de Londres, para darnos a conocer lo que…
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Review of ‘Baghdaddy’: “It’s building its wings”
Jasmine Naziha Jones’s playwriting debut takes us through a reverie of horrid revelations to analyze the morals supporting one of the most controversial conflicts in recent history. Guillermo Názara reviews this new work internationally premiered at London’s Royal Court, to let us know what’s awaiting in this story of clashing worlds and feelings.
