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Paul Jenkins & Dollie Henry MBE talk upcoming show ‘Jazz Conversations’: “We have a long way to go to show Jazz is worthy”

Founders of the long-standing BOP Jazz company return to the London stage with their latest showcase, digging into the genre’s roots through original music and choreography, while also introducing new emerging talent. Guillermo Nazara chats with the creative duo, to learn all the facts about this ambitious artistic venture serving as the zenith of a…
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Asi Wind talks new West End magic show ‘Incredibly Human’: “I want my audience to move as much as I want to move them”

The internationally acclaimed illusionist sets foot on the West End stage for the first time, with a new show guaranteed to take aback even the most upfront scepticals. Guillermo Nazara chats with the performer, to learn all the fun facts about a montage that’s certain to hold all the aces. Incredibly Human plays at London’s…
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Review of ‘The Play That Goes Wrong – 10th Anniversary’: “Joyous decade-nce”

Mischief’s signature comedy celebrates its first decennium in the West End, through a special performance reuniting its original team as well as presenting a new cast. Guillermo Nazara shares his views on the show, to let us know if this spectacle of unfortunate events ends up being another comedy of errors. Mother always told me…
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Review of Kirill Richter’s ‘The Sand of Time’: “The gripping charm of innocence”

The internationally acclaimed pianist and composer landed on the London stage last night, in an unique event featuring some major highlights of his career and performed along the National Symphony Orchestra of Uzbekinstan. Guillermo Nazara shares his views on the show, to let us know if this contemporary classic rendition is however in need of…
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Review of BBC Prom 66 – Chineke! plays Tchaikovsky’s ‘Pathétique’: “Notes of wonder”

The 2024 season hosts the orchestra’s return to the festival, performing a repertoire celebrating the genius of the Russian composer, while also paying homage to American culture through a rendition of original works and arrangements. Guillermo Nazara shares his views on the show, to let us know if this mixture of modernity and tradition manages…
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Kirill Richter talks upcoming epic concert ‘The Sands of Time’: “It’s vital to make music that reflects people’s lives”

The internationally acclaimed piano virtuoso and composer returns to London for the British premiere of his latest epic concert, performed through a lavish montage playing at the Coliseum for one night only. Guillermo Nazara chats with the artist, to learn all the fun facts about a piece that goes beyond every sense and genre. How…
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Review of ‘Hugh Panaro – Man Without A Mask’: “Sweet intoxication”

The acclaimed Broadway legend returns to the West End scene for the very first time in 26 years, in an intimate cabaret concert playing at The Crazy Coqs for 3 nights only. Guillermo Nazara shares his views on the show, to let us know if this London scene reunion with the musical theatre star featured…
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Review of ‘The Sex Lives of Puppets’: “Evening wood”

Mark Down and Ben Keaton’s heavy-loaded comedy returns to the Southwark Playhouse this month, bringing back the laughs (and a good bunch of moans) through the whole inter-course of the performance. Guillermo Nazara shares his views on the show, to let us know if this mastur-ful piece of theatre is actually hard to swallow. I…
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Review of ‘Death of England: Closing Time’: “Playing to a lower beat, but still palpitating”

Clint Dyers and Roy Williams’s three-part social commentary reaches its final stop, with the West End transfer of this last instalment starring Erin Doherty and Sharon Duncan-Brewster. Guillermo Nazara shares his views on the show, to let us know if this critical observation on the national mindset flaunts more red than white in its flag.…

