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Kellie Shirley talks new comedy play ‘TWO’: “It’s an actor’s dream”

Following the success of its inaugural run, the play transfers to London’s Park Theatre until the end of April, reuniting the EastEnders and In The Long Run star with his partner in crime, Peter Cauldfield, in a lively semi-immersive performance set in a working-class pub. Guillermo Nazara chats with the actress to learn more about…
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Review of ‘Choir Boy’: “Socially vocal story needs to breathe”

The critically acclaimed coming-of-age play arrives in the London scene for a limited run, playing until the end of April. Guillermo Nazara shares his views on the show to let us know if this heartening story of friendship, discrimination, and resilience is likely to sing. There’s a lot to take from this play. Some good…
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Review of ‘In The Print’: “Indelible drama doesn’t bleed enough poignancy”

London’s King’s Head Theatre presents this historical play depicting the conflict between Rupert Murdoch and the printers’ unions. Guillermo Nazara shares his views on the show to let us know if its execution is anywhere near ink-credible. I’m no fan of Rupert Murdoch. I don’t think anyone who’s been educated by The Simpsons is. And…
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Riki Lindhome talks new one-woman show ‘Dead Inside’: “The more these experiences are spoken about honestly, the less isolating they become”

Known for her acting work in hit shows such as Wednesday and Big Bang Theory, the TV star arrives in the London scene with a personal piece exploring pregnancy loss, adoption, and surrogacy. Guillermo Nazara chats with the writer and performer to learn more about the gestation of the show and how she’s turned all…
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Review of ‘Lifeline’: “Powerful germ doesn’t lead to an infectious show”

The Southwark Playhouse presents the world premiere of this new Scottish musical about past and modern-day medicine. Guillermo Nazara shares his views on the show to let us know if this love letter to the health services made him sick. I swear to God that I don’t mean to crucify anyone with this review. Even…
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Review of ‘Kinky Boots’ (2026, London Coliseum): “Well-heeled spectacle isn’t laced with narrative deftness”

Cyndi Lauper and Harvey Fierstein’s hit musical treads the West End boards for the first time since its original run in this new production starring Johannes Radebe and Matt Cardle. Guillermo Nazara shares his views on the show to let us know if this sole-ful celebration of individuality is still the most beautiful thing in…
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Review of ‘This Is Not About Me’: “Heartless romance doesn’t have a pulse”

London’s Soho Theatre presents this new two-hander exploring the explosive relationship between two young lovers. Guillermo Nazara shares his views on the show to let us know if its passionate narrative needs to patch anything up. There was only one single line that resonated with me throughout the entire performance. A brief incident, but no…
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Review of ‘Jaja’s African Hair Braiding’: “Interlaced narratives result in a few split ends”

The Lyric Hammersmith hosts the London premiere of Jocelyn Bioh’s comedy play. Guillermo Nazara shares his views on the show to let us know the mane problems of its hairy plot. They’ve cut it a little too short. And if that’s not the issue, they should definitely let it grow longer. There’s no question about the…
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Founder Steve Roe and producer Angela Pollard talk Hoopla’s 20th anniversary festival: “Improv is part of a big, joyful human rebellion”

After becoming pioneers in the UK scene by opening the first-ever improv-based theatre, the company enters its third decade with an impressive track record of shows, positioned artists, and the largest educational program for this genre across the country. Guillermo Nazara chats with the company’s leaders to reflect on its legacy and the future of…
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Rupert Young, Gina Beck & Simbi Akande talk upcoming new musical ‘Flyby’: “People will be surprised how much they are affected by the script”

London’s Southwark Playhouse presents the world premiere of this new chamber musical featuring an A-list West End cast. Guillermo Nazara chats with the company to learn more about the show’s development and how this atypical love story will conquer or break the audience’s hearts. How does it feel to be opening a brand new musical…
