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Ben Joyce talks ‘Back To The Future’: “The heart of this show is the love that people can have”
Once again, we break up the space time continuum as we travel through frames, songs and memories to reunite with the citizens of Hill Valley. After meeting with its original cast last year, now we’re returning to the place where it all began – to meet the new lead in the musical adaptation of one…
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Review of ‘Betty Blue Eyes’: “Happy as a pig in the mud”
Stiles and Drewe’s farcical musical returns to London in its firs-ever revival since the original West End production over a decade ago. Guillermo Nazara shares his thought on this comedy set during the starvation times of World War II, to let us know what‘s to expect this highly boar-ing show.
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Review of ‘Gone Too Far’: “Truth can be fictional”
Drama and comedy merge in this staggering portrayal of everyday life and social struggle. Guillermo Nazara shares his thoughts on the National Youth Theatre company’s latest production, to let us know more about a play where true love comes from within.
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Rob Houchen talks new upcoming show ‘At Last, It’s Summer’: “It’s the crème de la crème of musical theatre”
From fighting on the barricades to defeating the most powerful supervillains in the galaxy, Rob Houchen has starred in some of the most popular musicals both in London and across the world. Now, in just a couple of weeks, this acclaimed actor and singer will be starring in a new concert musical playing at the…
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Review of ‘Berlusconi’: “E la Madonna!”
Il Cavalieri becomes a Prima Donna in this original musical having its world premiere at the Southwark Playhouse’s newly opened venue. Guillermo Nazara gives us his thoughts on the show upon his attendance to the opening night, to share all the details about a man so over-the-top even the Romans would ban.
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Review of ‘Killing The Cat’:”Ideas aren’t just enough”
London’s iconic Riverside Studios host the world’s first run of this original musical about the conflicts between reason and faith. Guillermo Nazara reviews this show starring Madalena Alberto and Tim Rogers, to let us know his thoughts about a this romantic comedy dealing with a deeper philosophical tone.
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Review of ‘Beak Speaks’: “The b*tch is back”
The worst actress in the world returns to fringe theatre with her one-woman show on how to follow her footsteps. Guillermo Nazara reviews this masterclass founded on 30 years of inexperience (or literally a helluva one), to let us know about the tips and lessons he had to unlearn.
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Review of ‘BLACK SUPERHERO’: “When sex f*cks principles up”
Desire, drugs and lust intertwine in this emotional roller coaster questioning the meanings of love and relationships. Guillermo Nazara reviews this original new play upon his attendance to its world premiere, to share his thoughts about a show where fantasy becomes the rawest depiction of reality.
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Paul Kaye & Matthew Tennyson confirmed for West End premiere of ‘The Pillowman’
The cast will also Steve Pemberton and Lily Allen, who will play the leads in this comedic thriller following the investigation of several mysterious murders. Directed by Matthew Dunster, the show is produced by the same company that brought Prima Fascie, and will run a similar scheme of Pay What You Can for a selected…
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Review of ‘Good Day’: “Reworks can be refreshing”
The Vault Festival presents this week a new sci-fi play reflecting about the core principles of humanity. Guillermo Nazara shares his thoughts about the show, to let us know more about this piece where death is only the starting point of life.
