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Feature: When London looked to the Eastern sky

Last month, the Royal Court Theatre world-premiered a set of three original pieces in association with Tokyo’s New National Theatre, in an unprecedented collaboration between both venues. Guillermo Nazara offers us an insight look at this intricate venture, upon interviewing its dramaturgs and artistic directors, to guide us into the depths of this innovative project…
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‘The Choir of Man’ announces new cast and booking period

The London production will continue to play until July this year, welcoming two former members of its troupe to the West End stage. Set in a local pub where young male friends reflect about their lives to support each other, the show features live instrumentalists, singers and dancers (sometimes all combined) and a repertoire with…
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Disney’s ‘Winnie The Pooh, The Musical’ announces full cast ahead of London and tour openings

The show will play for a limited run at the Riverside Studios, before embarking on a UK and Ireland tour throughout the summer. Featuring impressive puppetry, the production will include the franchise’s iconic songs penned by the Sherman Brothers, as well as a new underscore and storyline.
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Review of Frantic Assembly’s ‘Othello’: “In search for the immortal Shakespeare”

The bard’s most iconic work about mischievous friendship and envy’s destructive feelings is reborn in a new version currently playing at the Lyric Hammersmith until mid-February. Guillermo Nazara shares his thoughts on the production, to let us know if one of the author’s greatest and most famous classics has been properly treated.
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Review of ‘The Unfriend’: “The divine comedy”

The spooks and the scares have been replaced on the boards of London’s Criterion Theatre for the laughs and feel-good vibe of a most delightful serial killer. Guillermo Nazara reviews this new comedy now playing in the West End for a strictly limited run, to let us know if the victims of this show lie…
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Review of ‘Moulin Rouge’: “Diamonds are this show’s best friend”

The scent of la vie boheme infects the boards of the Picadilly Theatre through the stage adaptation of one of the most popular movie musicals in the last 20 years. Guillermo Nazara reviews the production and new cast of one of West End’s latest jukebox acquisitions, to let us know if this the kind of…
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Review of ‘Allegiance’: “A beacon of intentions”

George Takei’s semi-biographical musical lands on the West End upon its previous first runs both on Broadway and across the US. Guillermo Nazara reviews this new original piece dealing with the aftermath of war and racism, to share his thoughts about a work that aims to do justice to the spirits of thousands of people…



