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Jessica Kaur talks stage play ‘Run, Rebel’: “This story will teach the generation after us”

Manjeet Maat best-selling teen novel returns to the stage through this first-ever adaptation currently touring around the UK until the end of the month. Guillermo Nazara chats with its lead actor, to learn all the details about performing a story where strength lies within every impediment. How does it feel to be originating the lead…
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Review of ‘Mercurial’: “Unstable formulation”

London’s Riverside Studios host the return of Rosaleen Cox’s dark comedy after its world premiere last summer, exploring the complexities of love relationships through an edgy point of view. Guillermo Nazara shares his views on the show, to let us know this playful story themed after a sex party manages to flaunt some memorable attributes.…
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Review of ‘The Cherry Orchid’: “The sleeping bud”

The Drayton Arms Theatre welcomes the London premiere of Broken Gods Productions’ latest comedy, dealing with the most surreal situation at an everyday man’s home. Guillermo Nazara shares his views on the show, to let us know if its crazy narrative features all the elements to “cheh-kov”. What happens when an unexpected visitor disrupts the…
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Review of ‘The Real Ones’: “Truth can’t just be said”

The Bush Theatre hosts the world premiere of Waleed Akhtar’s latest play, starring theatre and television star Nathaniel Curtis. Guillermo Nazara shares his views on the show, to let us know if this friendship-themed piece manages to be one of the besties. Life is change. That’s probably the greatest truth about it. And also, the…
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Review of ‘Breakbone’: “Still waiting for that itch”

The Rosemary Branch Theatre hosts the London premiere of this one-man show by Dominican actor and playwright Victor Arcturus, dealing with the hallucinatory reflections of a young man after being bitten by a tse-tse fly. Guillermo Nazara shares his views on the show, to let us know if this philosophical ride features any extra bugs…
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Review of ‘The Mad Hatter’s Tea Party’: “Crazy crazed craziness”

Lewis Carroll’s literary frenzy jumps from the page onto the stage one more time, through this new adaptation starring its most insanely iconic character. Guillermo Nazara shares his views on the show, to let us know if its banquet of ideas ended up giving bad hare day. “What’s an audience without a show?”, asks Wonderland’s…
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Review of ‘Cloakroom’: “Hangering in there”

The Camden Fringe Festival welcomes the world premiere of Emma Cater’s newest comedy, set around the bitter conversations between two theatre ushers during their break times. Guillermo Nazara shares his views on the show, to let us know if its clothes-studded script ends up putting on the clamps. Have you ever wondered what secrets may…



