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Review of ‘F**king Men’: ‘Don’t tell mama’
The urban sexcapades of unrelated gay men come together in this fun rampage of passion, doubt and self discovery. Guillermo Nazara gives us his thoughts on this new revival of Joe DiPietro’s hit play, to let us know if anything (or anyone) got screwed onstage. Father, forgive me. I tried not to do it… There…
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Review of ‘Breeding’: “Baby, baby, baby (Celion Dion-style)”
The King’s Head Theatre‘s Takeover Festival opens its second season with a busy offer featuring both new and transferred shows focusing on LGBT+ matters. Guillermo Nazara reviews its inaugurating play dealing with same-sex parenting and the dreams, doubts and struggles of a gay couple, to share his thoughts on a piece where convention is the…
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Review of ‘Generation Games’: “We always need to hear it”
The trials and tribulations of life acquire a new meaning through this gay-themed double play running at White Bear Theatre until the end of this week. Guillermo Nazara reviews this show exploring different age relationships, to let us know what’s in store in a piece where humour and thought bond their creative power.
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Review of ‘BLACK SUPERHERO’: “When sex f*cks principles up”
Desire, drugs and lust intertwine in this emotional roller coaster questioning the meanings of love and relationships. Guillermo Nazara reviews this original new play upon his attendance to its world premiere, to share his thoughts about a show where fantasy becomes the rawest depiction of reality.
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Review of ‘My Son’s A Queer’: “A million lives story”
Tears and laughs shake the stage in this proud celebration of truthfulness and individuality. Guillermo Nazara reviews this new production which has lately become one of the hottest shows in the West End, to let us know if all the gossip is as fair as its bitchy tongue.
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Review of ‘The Importance of Being Earnest’: “Some icons are worth a tweak “
One of the most successful classics in British theatre history returns to the scene in a new fresh version now arriving to Kingston’s Rose Theatre after touring around the UK. Guillermo Nazara reviews this updated take on Wilde’s most popular comedy, to let us know what’s to expect in the most beloved mad house of…
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Crítica de ‘The Importance of Being Earnest’: “Algunos iconos merecen un retoque”
Uno de los clásicos más exitosos de la historia del teatro británico vuelve a escena en una nueva y fresca versión que llega al Rose Theatre de Kingston después de haber estado de gira por todo el Reino Unido. Guillermo Nazara revisa esta versión actualizada de la comedia más popular de Wilde, para que conozcamos…
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Review of ‘A Single Man’: “There’s room for more”
Christopher Isherwood’s acclaimed novel comes to life in a new form after its praised film adaptation. Guillermo Názara tells us his vision about this new play by Simon Reade, exploring the weaknesses of a brilliant mind succumbing to the needs of the heart.
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Crítica de ‘Un hombre soltero’: “Hay espacio para algo más”
La aclamada novela de Christopher Isherwood cobra vida en una nueva forma tras su elogiada adaptación cinematográfica. Guillermo Názara nos cuenta su visión sobre esta nueva obra de Simon Reade, que explora las debilidades de una mente brillante que sucumbe a las necesidades del corazón.
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Review of ‘The Poltergeist’: “A clash of souls”
Philip Ridley authors and stars in this one-man show dealing with the unrestrainable hate feeding the foundation of a seemingly loving familly. Guillermo Názara tells us his thoughts on the play – where hauntings happen, but in another kind of way.
