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Review of ‘Picture You Dead’: “An inert portrayal”

Peter James’s best-selling book lands onstage through this new touring adaptation currently playing at the Richmond Theatre. Guillermo Nazara shares his views on the show, to let us know if its fraudster-themed plot leads to a feign-tastic result. Forging is a talent. But exploring that talent can be just as counterfeit. That seemed to be…
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Review of ‘The Glass Menagerie’: “A grasp of blue roses”

Tennessee Williams’s masterpiece returns to the London stage in a reimagined production playing at The Yard Theatre until mid-May. Guillermo Nazara shares his views on the show, to let us know if this new approach on the classic allows its original essence to crystallise. In Spain there was Guernica! But here there was only hot swing…
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FEATURE: Join us on an intergalactic mission as we explore the stages of Bridge Command

Following their first anniversary of its landing in London scene, we’ve ventured into the space-themed attraction to get a taste of its skyrocketing success. Come aboard as Guillermo Nazara navigates through his own experience – while discovering more about the creation of a show that’s certainly reaching for the stars. Up, up, up, passed the…
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Review of ‘The House Party’: “Not much to rave about this rave-up”

Kingston’s Rose Theatre welcomes this modern-day adaptation of August Strindberg’s classic, currently touring across the UK upon its original run at the Chichester Festival. Guillermo Nazara shares his views on the show, to let us know if its blowout narrative is bound to get blown up. We’ve all done crazy things when we were young.…
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Composer Matthew Wilder talks upcoming new musical ‘Stiletto’: “I’ve been able to discuss topics I couldn’t have touched decades ago”

The Academy Award nominee is finally bringing to the stage the project of a lifetime – depicting the fascinating real story of the now gone castrati singers. Guillermo Nazara chats with the artist, to learn all the facts about the creation of this ambitious piece, and how they got the balls rolling. After 40 years…
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Writer and performer Josie Dale-Jones talks one-woman play ‘A Little Inquest Into What We’re Doing Here’: “It’s a solo show in celebration of togetherness”

Following a first successful run at the Edinburgh fringe, the production has landed in the London scene for one week only – putting thought and opinion into today’s reality in a time where none of which are welcome. Guillermo Nazara chats with the artist, to know more about the creation of this observational piece, intended…
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Review of ‘Cry-Baby, The Musical’: “Half the one that I want”

The Arcola Theatre opens its first-ever production of a musical, with the London premiere of John Waters’s cult classic. Guillermo Nazara shares his views on the show, to let us know if the stage adaptation of the 50s spoof tribute manages to have enough commie-cal effect. Grease is the word. You won’t hear it in…
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Review of Lee Mead’s ‘The Best of Me’: “Any theme will do”

The West End star gave the London stage a taste of his new solo show – soon to be touring around the UK by the end of Spring. Guillermo Nazara shares his views on the show, to let us know if the world should still be waiting for this performance – or instead, hesitating about…
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Review of ‘A Man for All Seasons’: “All the More reasons to see it”

The Richmond Theatre welcomes the revival of Robert Bolt’s historical play, depicting the late life of Sir Thomas More and starring legendary actors Martin Shaw and Gary Wilmot. Guillermo Nazara shares his views on the show, to let us know of its narrative about the strong-headed man has an axe hanging over it. The truth…

