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    • Guillermo Názara
  • Review or ‘1:17 AM, or until the words run out’: “Eternal premise misses the right timings”

    Review or ‘1:17 AM, or until the words run out’: “Eternal premise misses the right timings”

    The Finborough Theatre hosts the London return of Zoe Hunter Gordon’s intimate play about loss, grievance, and friendship. Guillermo Nazara shares his views on the show to let us know if its poignancy remains at close quarters with the audience. Well, they didn’t run out of words. And to be honest, I wish I had…

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    22 February, 2026
    English contents, Reviews, Sin categoría
    1.17 AM, 1:17 AM, 1:17: AM review, finborough, finborough theatre, fringe theatre, or until the words run, play, two hander
  • Review of ‘After Miss Julie’: “Femme fatale narrative only honours half the term”

    Review of ‘After Miss Julie’: “Femme fatale narrative only honours half the term”

    London’s Park Theatre presents Patrick Marber’s period drama involving a dangerous affair. Guillermo Nazara shares his views on the show to let us know if there’s anything to love about this torrid romance. She may have swept the floor, but she couldn’t sweep an audience away. That wasn’t Miss Julie, however, but her devoted maid,…

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    21 February, 2026
    English contents, Reviews, Sin categoría
    after miss julie, after miss julie review, charlene boyd, Dadiow Lin, erotic thriller, liz francis, off west end, Patrick Marber, period drama, romance, thriller, tom varey
  • Review of Ballet Icons (2026, London Colliseum): “World-class showcase leaves audiences dancing on air despite perceptible issues”

    Review of Ballet Icons (2026, London Colliseum): “World-class showcase leaves audiences dancing on air despite perceptible issues”

    The venue hosted this annual event featuring globally revered performers. Guillermo Nazara shares his views on the show to let us know if its eclectic array was delivered on pointe. They promised us quality. And above all, they promised us art. They didn’t forsake their vow, for the most part. Last Sunday’s 20th anniversary gala…

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    19 February, 2026
    English contents, Reviews, Sin categoría
    ballet, ballet icons, ballet icons 2026, ballet icons review, classical music, dance, london colliseum
  • Review of ‘Cash On Delivery’: “Poorly executed account shows capital problems”

    Review of ‘Cash On Delivery’: “Poorly executed account shows capital problems”

    The Mill at Sonning hosts the latest revival of Michael Cooney’s 1997 farce. Guillermo Nazara shares his views on the show to let us know if this tender return manages to hit the jackpot. This was supposed to be funny. It really wasn’t — not that the idea isn’t promising, but I was expecting something…

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    18 February, 2026
    English contents, Reviews, Sin categoría
    cash on delivery, cash on delivery review, farce, michael cooney, ron aldridge, sonning, the mill at sonning
  • Review of ‘Josh Sharp: ta-da!’: “Bottomless-fun play tops many forecomers”

    Review of ‘Josh Sharp: ta-da!’: “Bottomless-fun play tops many forecomers”

    The Soho Theatre hosts the London premiere of Sharp’s autobiographical comedy monologue, led by Oh, Mary’s director, Sam Pinkleton. Guillermo Nazara shares his views on the show to let us know if its coming-out, coming-of-age story has any skeletons (or twinks) in the closet. He’s gay. He’s very gay. That’s what this fabulous is all…

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    16 February, 2026
    English contents, Reviews
    gay, gay theatre, Josh Sharp, lgbt, oh mary, queer, queer theatre, Sam Pinkleton, soho theatre, ta-da, ta-da review, west end, West End Fringe
  • Review of ‘Shadowlands’: “C.S. Lewis-themed play doesn’t leave us surprised by joy”

    Review of ‘Shadowlands’: “C.S. Lewis-themed play doesn’t leave us surprised by joy”

    London’s Aldwych Theatre hosts the West End revival of William Nicholson’s play, which explores the real-life romance between C.S. Lewis and Joy Davidman. Guillermo Nazara shares his views on the show to let us know if its value is all due to an experiment of criticism. I may just be a contrarian, but I don’t…

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    14 February, 2026
    English contents, Reviews, Sin categoría
    Hugh Bonneville, Jeff Rawle, Maggie Siff, Nigel Fyfe, Rebecca Blackstone, shadowlands, shadowlands review, shadowlands west end review
  • Review of ‘I’m Sorry, Prime Minister’: “Return of Downing Street farce nearly scores a ten”

    Review of ‘I’m Sorry, Prime Minister’: “Return of Downing Street farce nearly scores a ten”

    London’s Apollo Theatre welcomes the final instalment of the classic BBC comedy series. Guillermo Nazara shares his views on the show to let us know if this cabinet reunion calls for a reshuffle. Yes, you’ve read right. Jim Hacker is back. He’s no longer in charge, however. We could literally say that he’s passed his…

    guillermonazarareverter

    13 February, 2026
    English contents, Reviews, Sin categoría
    apollo theatre, clive francis, griff rhys jones, im sorry prime minister, im sorry prime minister review, jim hacker, jonathan lynn, sir humphrey, stephanie levie john, west end, william chubb
  • Review of ‘Here There Are Blueberries’ (2026, Stratford East): “Fruitful premise is still waiting to ripen”

    Review of ‘Here There Are Blueberries’ (2026, Stratford East): “Fruitful premise is still waiting to ripen”

    The venue presents the London premiere of Moises Kaufman and Amanda Gronich’s eye-opening play about the Holocaust. Guillermo Nazara shares his views on the show to let us know if this photo-based story ends up at the bottom of the barrel. You can either expect everything or nothing from a play about Nazi Germany. Surprisingly,…

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    12 February, 2026
    English contents, Reviews, Sin categoría
    amanda gronich, arthur wilson, auschwitz, clifford samuel, geraldine alexander, here there are blueberries, here there are blueberries review, historical play, holocaust, jewish, jewish memory, jewish play, Kirsten Foster, moises kaufman, os lanse, os leanse, paksie vernon, philippine velge, scott barrow, stratford east, stratford east theatre, tectonic theater project, theatre royal stratford east
  • Review of ‘The Unlikely Pilgrimage of Harold Fry’: “Wandering musical is only halfway there”

    Review of ‘The Unlikely Pilgrimage of Harold Fry’: “Wandering musical is only halfway there”

    Following its initial run at the Chichester Festival, the stage adaptation of Rachel Joyce’s popular novel arrives in the West End, playing for a limited run until mid-May. Guillermo Nazara shares his views on the show to let us know if it walks the extra mile. I wasn’t rooting for Harold Fry. I know I…

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    11 February, 2026
    English contents, Reviews, Sin categoría
    harold fry, harold fry musical, harold fry musical review, harold fry review, jenna russell, musical, musical theatre in concert, theatre royal haymarket, west end, west end musicals
  • Review of ‘MILES’ (2026, Southwark Playhouse): “Offbeat biopic needs to find a better pitch”

    Review of ‘MILES’ (2026, Southwark Playhouse): “Offbeat biopic needs to find a better pitch”

    The venue presents a new two-hander piece portraying the life of one of the biggest jazz icons of all time. Guillermo Nazara shares his views on the show to let us know if the experience left him kind of blue. He was a legend. And, like every legend, he has been turned into a product…

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    10 February, 2026
    English contents, Reviews, Sin categoría
    Benjamin Akintuyosi, biopic, fringe theatre, Jay Phelps, jazz, jazz biopic, miles southwark playhouse review, off west end, southwark playhous
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