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Review of ‘Juniper and Jules’: “A familiar story”
For a strictly limited two-week run, this new play has been staying at the heart of London’s Soho to offer a new exploration on queer identities. Guillermo Názara shares his thoughts about this production, previously performed at the Vaul Festival in 2019, where it was granted the Show of the Week Award.
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Review of ‘Les Misérables’: “There’s still a tomorrow to be sung”
The longest-running musical in West End’s history continues to invite audiences from all over the world to join the barricades. Guillermo Názara tells us about his experience watching the new production of Boublil and Schoenberg’s internationally renowned masterpiece, to let us know if the dream can still be dreamed.
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Review of ‘The Play That Goes Wrong’: “A triumphant disaster”
Since 2014, Mischief’s signature humour has conquered the London scene with its now worldwide acclaimed comedy – much to the horror of its company! After his miraculous survival from such an excrutiating experience, Guillermo Názara shares the details about the show’s newest media night, to let us know if everything went as wrong as desired.
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Review of ‘Doctor Who: Time Fracture’: “Cracks don’t always mean weakening”
The long running BBC TV series goes back to the stage in a custom-built immersive experience, now running until September after popular demand. Guillermo Názara has volunteered as one of the UNIT HQ recruiters, to let us know if he got to succeed in his mission, and tell us what’s in store behind the walls…
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Review of ‘& Juliet’: “A musical inner quest”
The two lovers of Verona are about to lose their titles, thanks to the mess that Shakespeare’s wife is about to make! Don’t worry – you may as well like it, as so thousands of viewers in the West End already have. Now, with a new cast of supporting actors, Guillermo Názara has ventured into…
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Review of ‘Come From Away’: “It’s all about the theatre”
In an unknown town somewhere in Canada, the locals face the heroic task of hosting foreign air passengers on the dawn of the day that changed not only America but the entire world’s History. Guillermo Názara reviews below the London production of Come From Away, to share his thoughts and vision about one of the…
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Review of ‘The Phantom of the Opera’: “Hauntings are still a thing of the dark”
35 years after its official premiere, Andrew Lloyd Webber’s best-know musical received a major overhaul at his home place – with a revised production featuring some different sets and other modifications. Guillermo Názara reviews below the show’s updated look, to let us know about the new sound of the music of the night.
