-
Review on ‘Paper Cut’: “As sharp as its name”
The Park Theatre hosts the UK premiere of this striking play dealing with the scars of a past impossible to leave behind. Guillermo Nazara shares his views on the production, to let us know more about this show reassembling the pieces of a broken soul. What’s the real meaning of love? Too many songs and…
-
Review of Jazz Arts Rewired: “Passion on a passion”
The BOP Jazz Theatre Company presented this one-night-only event exploring the possibilities of dance and music through the merging of tradition and contemporary. Guillermo Nazara shares his thoughts on the festival, to gives all the details about production introducing some of the mos promising new talent in the genre. “What is jazz?”, a simple question…
-
Review of ‘Our Last First’: “Young but thoughtful”
A thousand love stories get comprised in this single tale, depicting the reality we all face when going through a relationship. Guillermo Nazara shares his thoughts on this production returning to London for a strictly limited run, to let us know if this is a play he is wedded to. Who needs a heart when…
-
Review of ‘The Mikado’: “HMS Spin-afore”
Gilbert and Sullivan’s iconic musical parody returns to the London scene in a reimagined production featuring an all-male cast. Guillermo Nazara shares his thoughts on this show dealing with love, honour and a bit of decapitation, to let us know if this is a montage worth losing your head over. As someday, it may happen…
-
Review of ‘The Curious Case of Benjamin Button’: “There’s stuff to second”
The classic short tale is reborn on the London stage through this musical adaptation featuring Irish folk music and multi-talented performers. Guillermo Nazara shares his thoughts on the show, currently playing for a limited run at the newly opened Southwark Playhouse Elphant, to share all the details about a story bound not to age well.…
-
Review of ‘Grindr, The Opera’: “It sucks… in a different way”
The Union Theatre welcomes the return of this musical parody exploring the growth (meaning life!) of four men and their circumstances regarding the most downloaded app in the gay community. Guillermo Nazara shares his thoughts on the production, to let us know how well-endowed the show is. Yup. You’ve read right. The most used hooking…
-
Review of ‘Patriots’: “Too bright for Putin’s soul”
Amidst one of the most agitated chapters in Eastern Europe’s late life, the West End welcomes a new striking recount on the events that led Putin into his tyrannical upheaval. Guillermo Nazara shares his thoughts on this political thriller starring Tom Hollander, to let us know more about this story dealing with the shadows of…
-
Review of ‘Aspects of Love’: “Running up that hill”
Andrew Lloyd Webber’s romantic musical returns to London in this new production starring international musical theatre legend Michael Ball. Guillermo Nazara shares his thoughts on this revised version, to let us know which kind of a heart breaker this show is. Seeing is believing. For better… or worse, I’ll give you that one. A simple…
-
Review of ‘2:22’: “Still a hot spook”
Danny Robin’s hit horror play starts its next season in the West End, now running at the Apollo Theatre until the end of summer. Guillermo Nazara returns to the production to share his thoughts on its newly arrived cast, to reveal if the show continues to have a ghost of a chance. Double, double toil and…
-
Review of ‘Speaker’s Corner’: “Be careful what you write for”
Rufus Love stars in his own-written one-man show dealing with the clashing ideas of London’s most historical debating spot. Guillermo Nazara shares his thoughts on this production hosted by the Hope Theatre, to share his thoughts on a play where thinking is all that matters. Words are more powerful than weapons… Especially when articulated by…
