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Review of ‘The Importance of Being Earnest’: “Some icons are worth a tweak “
One of the most successful classics in British theatre history returns to the scene in a new fresh version now arriving to Kingston’s Rose Theatre after touring around the UK. Guillermo Nazara reviews this updated take on Wilde’s most popular comedy, to let us know what’s to expect in the most beloved mad house of…
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Review of ‘A Dead Body in Taos’: “An autopsy of the soul”
David Farr’s latest play lands in London for a strictly limited run after touring across the UK from its inception at the Bristol Old Vic. Guillermo Názara reviews this piece exploring human emptiness and crave through the eyes of the inert, to let us know his thoughts on this production taking place at one of…
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Review of ‘Marvellous’: “Thespian wonder”
West End’s first venue in 50 years has finally opened its doors to its inaugural production, transferring from the New Vic upon critical acclaim. Guillermo Názara reviews Marvellous, the play narrating the inspiring real life story of Neil Baldwin, to let us know if the hype matches the amazement of its character’s stirring achievements.
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Review of ‘A Single Man’: “There’s room for more”
Christopher Isherwood’s acclaimed novel comes to life in a new form after its praised film adaptation. Guillermo Názara tells us his vision about this new play by Simon Reade, exploring the weaknesses of a brilliant mind succumbing to the needs of the heart.
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Review of ‘Frozen’: “Flair glowed bright on the mountain that night”
The chilliest show in town continues to melt hearts and give warm welcomes (and hugs) to one of London’s most historical and longest-running theatres. Guillermo Názara reviews Frozen, The Musical, to let us know his thoughts about the stage adaptation of Disney’s highest-grossing animated film of all time.
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Review of ‘Good Luck, Studio”: “Expect the unexpected”
Mischief’s newest creation continues to travel around the country after its first limited run at Colchester’s Mercury Theatre. Guillermo Názara reviews this comedy show dealing with the recording a children’s show and an actor seeking revenge in a dragon costume, from the same team whose London long-running play keeps going wrong at every performance…
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Review of ‘The Poltergeist’: “A clash of souls”
Philip Ridley authors and stars in this one-man show dealing with the unrestrainable hate feeding the foundation of a seemingly loving familly. Guillermo Názara tells us his thoughts on the play – where hauntings happen, but in another kind of way.
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Review of ‘Jersey Boys’: “Like a rolling ball of thunder”
The inspiring story about the rise of an iconic group by four men coming from nothing lives on now more than ever in the UK – thanks to the simultaenous London and national touring productions. Guillermo Názara tells us his thoughts about this jukebox show which has already become a classic in music theatre history,…
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Review of ‘Life of Pi’: “Shipwrecking-tested”
The most celebrated and awarded stage play of the season continues to mesmerize audiences with its nail-biting story and astounding visuals. Guillermo Názara tells us his thoughts on his return to Life of Pi for the new cast, to let us know if the boat (and illusions) are still afloat.
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Review of ‘Heathers, The Musical’: “A nightmare turned into a dream”
London’s bloodiest musical comedy continues to burst audiences into applause and laughter through its captivating story of love, friendship and heartless murder. Guillermo Názara tells us his thoughts on this original piece based on the famous Michael Lehman movie, to let us know who deserves to be crowned at Westerburg High’s prom… if they even…
