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Review: “Bad Cinderella, great Cinderella”
Andrew Lloyd Webber’s newest creation returned to the stage last month after a 6-week hiatus. Based on the classic fairy tale, the musical swirls the well-known story around with a comical modernised approach. Guillermo Názara reviews the reworked version of British composer’s latest gamble, to let us know if magic finally happened onstage.
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andrew lloyd webber, bad cinderella, carrie hope fletcher, cats, cinderella, comedy, david zippel, disney, evil stepmother, fantasy, gabriela tylesova, georgina castle, georgina onuorah, gillian lynne theatre, gloria swanson, godmother, grimm, i know i have a heart because you broke it, ivano turco, jellicle ball, joan collins, laura baldwin, lloyd webber theatres, musical, musical theatre, musicals, new london theatre, perrault, really useful group, rogers and hammerstein, romance, romantic comedy, stepmother, victoria hamilton barrit -
‘Unmasked: The Platinum Collection’ Review: ‘The king has not been dethroned’
The most succesful Broadway & West End composer has launched the ultimate compilation of his career, featuring the best known versions of his greatest hits, as well some new adaptations. Guillermo Názara tells us his vision about the album that gathers more than five decades of inexhaustible work, in which Lloyd Webber has become King…
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andrew lloyd webber, barbra streisand, broadway, cats the musical, elaine paige, emmy rossum, evita, glenn close, gran via, jesus christ superstar, jose carreras, lana del rey, london, madonna, madrid, masquerade, michael crawford, musical, musical theatre, new york, nicole scherzinger, sarah brightman, starlight express, the phantom of the opera, the platinum collection, unmasked, variations, west end
