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    • Guillermo Názara
  • Review of ‘Dinner with Groucho’: “Too much fandom onstage”

    Review of ‘Dinner with Groucho’: “Too much fandom onstage”

    Irish troupe B*spoke Theatre Company lands in London for a strictly limited season to revive its latest gamble, starring two of the greatest artists (of very different kinds) of the last century. Guillermo Názara reviews this new hybrid of play and musical, to share his thoughts on this story dwelling in both the realms of…

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    23 November, 2022
    English contents, Reviews
    adam wiltshire, andrew lloyd webber, arcola theatre, b*spoke theatre company, cats, connor linehan, cultur eirann, dalston, david boiger, dinner with groucho, gabriel o brien, greg hicks, groucho marx, ian bartholomew, ingrid craigie, ireland, irish, joan bergin, london, loveday ingrm, marx brothers, oxford playhouse, paul keogan, ros kavanagh, the civic, ts eliot, west end
  • Crítica de ‘Dinner with Groucho’: “Demasiado fandom sobre el escenario”

    Crítica de ‘Dinner with Groucho’: “Demasiado fandom sobre el escenario”

    La compañía irlandesa B*spoke Theatre Company aterriza en Londres durante una temporada estrictamente limitada para revivir su última apuesta, protagonizada por dos de los más grandes artistas (de muy distinta índole) del siglo pasado. Guillermo Názara revisa este nuevo híbrido de obra teatral y musical, para compartir sus reflexiones sobre esta historia que habita tanto…

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    23 November, 2022
    Contenido en español, Críticas
    adam wiltshire, andrew lloyd webber, arcola theatre, b*spoke theatre company, cats, connor linehan, cultur eirann, dalston, david boiger, dinner with groucho, gabriel o brien, greg hicks, groucho marx, ian bartholomew, ingrid craigie, ireland, irish, joan bergin, london, loveday ingrm, marx brothers, oxford playhouse, paul keogan, ros kavanagh, the civic, ts eliot, west end
  • ‘Elf, The Musical’ releases first look production pictures ahead of London opening

    ‘Elf, The Musical’ releases first look production pictures ahead of London opening

    The production has launched its first set of pictures featuring several fully staged scenes, with a cast led by Simon Lipkin and who will be joined by Rebecca Lock for a strictly limited season. Based on the 2003 hit movie starring Will Ferrell, the show relies on a book by Tony Award winners Thomas Meehan…

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    22 November, 2022
    English contents, News
    alfie morwood, annie, Bethan Downing, bob martin, chad beguelin, Chloe Saunders, christmas, christmas carols, christmas shows, dominion theatre, elf, elf the musical, elfs, Ellis Linford-Pill, Evonnee Bentley-Holder, family show, father christmas, Francis Foreman, Frankie Treadaway, hairspray, Heather Scott-Martin, holidays, Jade Davies, Jessica Spalis, Katie Warsop, kim ismay, Kyle Cox, london, magic, Matthew Sklar, Michael Tyler, Morgan Gregory, musical, new line cinema, nicholas pound, rebecca locke, Ryan Jupp, santa claus, Shane O'Riordan, simon lipkin, The Drowsy Chaperone, The Producers, Theo Reece, thomas meehan, tom chambers, west end, will ferrell
  • ‘Elf, The Musical’ publica las primeras imágenes de la producción antes del estreno en Londres

    ‘Elf, The Musical’ publica las primeras imágenes de la producción antes del estreno en Londres

    La producción ha lanzado su primera serie de imágenes con varias escenas totalmente escenificadas, con un reparto dirigido por Simon Lipkin y al que se unirá Rebecca Lock para una temporada estrictamente limitada. Basado en la exitosa película de 2003 protagonizada por Will Ferrell, el espectáculo se apoya en un libro de los ganadores del…

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    22 November, 2022
    Actualidad, Contenido en español
    alfie morwood, annie, Bethan Downing, bob martin, chad beguelin, Chloe Saunders, christmas, christmas carols, christmas shows, dominion theatre, elf, elf the musical, elfs, Ellis Linford-Pill, Evonnee Bentley-Holder, family show, father christmas, Francis Foreman, Frankie Treadaway, hairspray, Heather Scott-Martin, holidays, Jade Davies, Jessica Spalis, Katie Warsop, kim ismay, Kyle Cox, london, magic, Matthew Sklar, Michael Tyler, Morgan Gregory, musical, new line cinema, nicholas pound, rebecca locke, Ryan Jupp, santa claus, Shane O'Riordan, simon lipkin, The Drowsy Chaperone, The Producers, Theo Reece, thomas meehan, tom chambers, west end, will ferrell
  • Amy Triggs talks ‘Reasons You Should(n’t) Love Me’: “My inspiration was seeing the lack of those stories”

    Amy Triggs talks ‘Reasons You Should(n’t) Love Me’: “My inspiration was seeing the lack of those stories”

    After selling out during its first run, Amy Trigg’s dramaturgic debut has returned on tour around the UK, currently being performed in London until the end of the month. Guillermo Názara chats with 2020 Women’s Prize for Playwriting-winning author and star of the show, to learn more about this personal piece encompassing her struggle but…

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    20 November, 2022
    English contents, Interviews
    Aldershot, amy triggs, Barking, bbc, Bracknell, Brighton, Canterbury, colchester, comedy, Doncaster, drama, Havant, inspirational, kiln theatre, london, luton, Lyme Regis, Maidenhead, manchester, Middlesbrough, Norwich, paines plough, play, playwriting, reasons you shouldn't love me, royal shakespeare company, rsc, spina bifida, Tunbridge Wells, uk tour, uplifting, washington, west end, wheelchair
  • Amy Triggs habla de ‘Reasons You Should(n’t) Love Me’: “Mi inspiración fue ver la falta de esas historias”

    Amy Triggs habla de ‘Reasons You Should(n’t) Love Me’: “Mi inspiración fue ver la falta de esas historias”

    Tras agotar las entradas en su primera edición, el debut dramatúrgico de Amy Trigg ha vuelto de gira por el Reino Unido, representándose actualmente en Londres hasta finales de mes. Guillermo Názara conversa con la autora y protagonista del espectáculo, ganadora del Premio Femenino 2020, para conocer más sobre esta obra personal que abarca su…

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    20 November, 2022
    Contenido en español, Entrevistas
    Aldershot, amy triggs, Barking, bbc, Bracknell, Brighton, Canterbury, colchester, comedy, Doncaster, drama, Havant, inspirational, kiln theatre, london, luton, Lyme Regis, Maidenhead, manchester, Middlesbrough, Norwich, play, playwriting, reasons you shouldn't love me, royal shakespeare company, rsc, spina bifida, Tunbridge Wells, uk tour, uplifting, washington, west end, wheelchair
  • Review of ‘The Last Laugh’: “Too silly for the dumb”

    Review of ‘The Last Laugh’: “Too silly for the dumb”

    Acclaimed playwright Richard Harris brings to the stage this comedic though insightful reflection on human values and life priorities, first coined on paper by Japanese writer Koki Mitani. Guillermo Názara reviews this new production by Take Note Theatre, to let us know what’s in store in this tale of artistic persecution by an oppressive government.

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    18 November, 2022
    English contents, Reviews
    andrew lloyd webber, cancel culture, censor, censorhip, chiswick, comedy, David Tarkenter, Hardy Gru, king charles iii, Kōki Mitani, london, love never dies, Matt Wake, nat green, nazism, nick bromley, Nick Gilbert, No Man’s Land, off west end, putin, Richard Harris, the last laugh, the old vic, theatre at the tabard, vladimir putin, west end, woke, young vic
  • Crítica de ‘The Last Laugh’: “Demasiado tonta para los imbéciles”

    Crítica de ‘The Last Laugh’: “Demasiado tonta para los imbéciles”

    El aclamado dramaturgo Richard Harris lleva a escena esta cómica pero perspicaz reflexión sobre los valores humanos y las prioridades vitales, acuñada por primera vez en papel por el escritor japonés Koki Mitani. Guillermo Názara reseña esta nueva producción de Take Note Theatre, para que conozcamos lo que nos depara esta historia de persecución artística…

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    18 November, 2022
    Contenido en español, Críticas
    andrew lloyd webber, cancel culture, censor, censorhip, chiswick, comedy, David Tarkenter, Hardy Gru, king charles iii, Kōki Mitani, london, love never dies, Matt Wake, nat green, nazism, nick bromley, Nick Gilbert, No Man’s Land, off west end, putin, Richard Harris, the last laugh, the old vic, theatre at the tabard, vladimir putin, west end, woke, young vic
  • Review of ‘Here’: “It needs a voice to be heard”

    Review of ‘Here’: “It needs a voice to be heard”

    London’s Southwark Playhouse hosts the world premiere of this new play by the Papatango Company, whose previous achievements include the Olivier and the Critics’ Circle Award. Guillermo Názara reviews their latest work upon his attendance to the opening night, to let us know his thoughts on this reflection on the complicated bonds tying people who…

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    17 November, 2022
    English contents, Reviews
    clive judd, drama, george turvey, ghosts, hannah millward, here, london, Lucy Benjamin, mark frost, papatango, play, sam baker jones, southwark playhouse, the other richard, west end
  • Crítica de ‘Here’: “Necesita una voz para ser escuchada”

    Crítica de ‘Here’: “Necesita una voz para ser escuchada”

    El Southwark Playhouse londinense acoge el estreno mundial de esta nueva obra de la compañía Papatango, entre cuyos logros se encuentran el Olivier y el Premio del Círculo de Críticos. Guillermo Názara reseña su último trabajo tras asistir al estreno, para darnos a conocer su opinión sobre esta reflexión acerca de los complicados lazos que…

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    17 November, 2022
    Contenido en español, Críticas
    clive judd, drama, george turvey, ghosts, hannah millward, here, london, Lucy Benjamin, mark frost, papatango, play, sam baker jones, southwark playhouse, the other richard, west end
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