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Review of ‘Sheldrake on Shakespeare’: “We know what we are, but know not what we may be”
The most revered dramaturg of all times becomes the man of the hour through this one-man comedy exploring some of the most interesting aspects about his life and work. Guillermo Nazara shares his views on this new piece currently heading to the Edinburgh Fringe – and reveals if, to discuss this show, he must be…
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Review of ‘Nul Points’: ‘Be more than just a candidate’
As the drums begin to roll for the only event not even Brexiteers want to miss, the Union Theatre opens its stage to this new comedy where life goes by through Eurovision galas. Guillermo Nazara gives us his thoughts on this show currently playing until the end of the month, to let us know where…
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Review of ‘Retrograde’: ‘The circle of time’
Sidney Poitier’s inspiring story reveals one of its harshest chapters in this original play set during the 1950s political witch hunt. Guillermo Nazara shares his vision on the show, to let us know what secrets await behind the walls of Hollywood’s production offices. “I have a dream that one day the sons of former slaves…
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New cast confirmed for London production of ‘2:22 – A Ghost Story’
The show will extend its run at a new venue, beginning performances by the middle of May. Currently playing at the Lyric and starring Cheryl, Jake Wood, Scot Karim and Louise Ford, the production has proven to be one of the most successful plays in London recently, breaking box office records 5 times.
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Review of ‘The Winter’s Tale’: “Twisted as life”
Shakespeare’s late classic brings back the drama, comedy and ambiguity to its birthplace through this new production staged at the venue’s two playhouses. Guillermo Nazara reviews Sean Holmes’s reenvisioned take, to share his thoughts about this revised adaptation on one of the bard’s most debated works.
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Review of ‘Moulin Rouge’: “Diamonds are this show’s best friend”
The scent of la vie boheme infects the boards of the Picadilly Theatre through the stage adaptation of one of the most popular movie musicals in the last 20 years. Guillermo Nazara reviews the production and new cast of one of West End’s latest jukebox acquisitions, to let us know if this the kind of…
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Review of ‘The Nutcracker’: “The spell can’t be broken”
Tchaikovsky’s most family-beloved masterwork returns to many corners of the London scene for the Christmas season. Guillermo Názara reviews the English National Ballet’s take on this charming fairy tale featuring one of the most popular scores in classical music History, to let us know if this holiday treasure has been properly guarded.
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Crítica de Katherine Jenkins en el Royal Albert Hall: “No busques más estrellas de la Navidad”
La mundialmente aclamada mezzosoprano de Gales regresó la semana pasada a la sala de conciertos más encantadora de Londres, en un evento que supuso su primer regreso al recinto desde su especial concierto de encierro. Guillermo Názara repasa esta actuación única en la vida, para hacernos saber si el encanto de la temporada estuvo a…
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Review of Katherine Jenkins at the Royal Albert Hall: “Look no further for a Christmas star”
Wales’s worlwide acclaimed mezzo-soprano returned last week to London’s most enchanting concert hall, in an event which marked her first comeback ever to the venue since her special lockdown gig. Guillermo Názara reviews this once-in-a-lifetime performance, to let us know if the charm of the season was matched by this never-seen-before rendition.
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Crítica de “The Choir of Man”: “Un brindis por un nuevo comienzo”
El pub más ambulante del mundo lleva sus pintas, aperitivos y canciones a su nueva ubicación en el centro neurálgico del West End londinense. Guillermo Názara repasa este recién llegado espectáculo, que ya ha conquistado la escena internacional, para comentar su representación de la vida, la amistad y la comunidad.
