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Review of ‘Good Day’: “Reworks can be refreshing”
The Vault Festival presents this week a new sci-fi play reflecting about the core principles of humanity. Guillermo Nazara shares his thoughts about the show, to let us know more about this piece where death is only the starting point of life.
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Review of ‘The Great British Bake Off Musical’: “The proof is in the pudding”
One of the most anticipated shows of the season made its West End debut last night, in a star-studded event supporting a legendary cast-filled production. Guillermo Nazara reviews this new original music based on one the most successful realities in British television, to let us know if this sweet attempt has turned out to be…
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Review of ‘Someone of Significance’: “The journey is yet to begin”
Last week, the Network Theatre hosted the world premiere of Amalia Kontensi’s new play, starring film and television regulars Simon Bass and Fuonlola Olunfuwa. Guillermo Nazara shares his thoughts about the piece, to let us know what‘s in store in this tale where the love for somebody else clashes with the love for your own…
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Review of ‘Oklahoma!’: “Change in all things is bittersweet”
Rodgers and Hammerstein’s revolutionary masterpiece comes back to the West End in an unconventional production following its first Broadway and Young Vic runs. Guillermo Nazara reviews this original take on the ageless classic, to let us know what’s new in one of the most popular and performed shows of all time.
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Review of ‘Bell, Book and Candle’: “It’s all just a bunch of hocus pocus”
John Van Drutten’s spellbinding comedy returns to London in a new production bringing back the charm and enchantment of its old-fashioned era. Guillermo Nazara reviews this classic currently playing at The Tabard until mid-March, to let us know which kind of curse has been cast on its montage.
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Review of ‘Women, Beware The Devil’: “Hazed darkness”
Hell rises onstage in this original play about ambition, greed and the powers of the occult. Guillermo Nazara reviews this new limited-running production delivered by renowned director Rupert Goold, to share his thoughts on a piece where good and evil are partners in crime.
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Review of ‘The Winter’s Tale’: “Twisted as life”
Shakespeare’s late classic brings back the drama, comedy and ambiguity to its birthplace through this new production staged at the venue’s two playhouses. Guillermo Nazara reviews Sean Holmes’s reenvisioned take, to share his thoughts about this revised adaptation on one of the bard’s most debated works.
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Review of ‘My Son’s A Queer’: “A million lives story”
Tears and laughs shake the stage in this proud celebration of truthfulness and individuality. Guillermo Nazara reviews this new production which has lately become one of the hottest shows in the West End, to let us know if all the gossip is as fair as its bitchy tongue.
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Review of ‘Duet for One’: “A haunting enticement”
Tom Kempinski’s touching piece dealing with terminal disease returns to London in a fully reworked production directed by Richard Beecham. Guillermo Nazara reviews this limited-running play starring Tara Fitzgerald and Maureen Beattie, to share his thoughts about a work of fiction raising awareness about a most devastating reality.
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Review of ‘Unexpected Twist’: “The performance is everything”
Charles Dicken’s beloved classic is revamped for the 21st century in this new musical adaptation of Michael Rosen’s children’s novel. Guillermo Nazara reviews the show upon his attendance to its world premiere in Northampton, to share his thoughts about a piece whose original plot seems to be more current now than never before.
