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Review of ‘Tipsy’: “Let’s get those nails more polished”

The Cockpit Theatre hosted the world premiere of this new comedy reflecting upon the harshness of our everyday through gleam, colour and a bit of acetone. Guillermo Nazara shares his views on this surreal tale taking place amidst the chaos of a beauty salon, to let us know if their services deserved a complaining form…
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Review of ‘Stuart Michael – The Psychic Medium’: “It felt a bit ghosted”

Magic and humour merge in this spiritual show erasing the boundaries between our world and the afterlife. Guillermo Nazara shares his thoughts on this new production set to go on tour this summer, to let us know if this either a heavenly montage or the spectre at the feast. What would you say to a…
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Review of ‘Build A Rocket’: “It’s not just someone else’s story”

Christopher York’s stirring personal play returns in a new revised version directed by Jordan Langford and starring West End actress and singer Shannon Rewcroft. Guillermo Nazara shares his thoughts on this show dealing with the struggles of single teenage parenting, to let us know what lies within this story about true life success. Real heroes…
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Review of ‘Leaves of Glass’: “A brotherhood of treachery”

Philip Ridley’s shattering drama returns to London after its original critically acclaimed run at the Soho Theatre. Guillermo Nazara shares his thoughts on this new production playing at the Park Theatre before embarking on its first tour, to let us know more about this cracked picture of a loving family. “The bond that links your…
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Review of ‘Gone Too Far’: “Truth can be fictional”

Drama and comedy merge in this staggering portrayal of everyday life and social struggle. Guillermo Nazara shares his thoughts on the National Youth Theatre company’s latest production, to let us know more about a play where true love comes from within.
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Review of ‘Creature’: “They dared to play God”

Akram Khan’s expressionist ballet lands on the Sadler’s Wells for a strictly run until the end of the week. Guillermo Nazara reviews this return production by the English National Ballet, where beauty and horror are the inseparable sides of the same creation.
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Review of ‘Marjorie Prime’: “Don’t say we weren’t warned about the Metaverse”

Jordan Harrison’s acclaimed play lands in London in a new production directed by Dominic Dromgoole and featuring a star-studded cast. Guillermo Nazara shares his thoughts on this work dealing with the fragility of modern relationships, to let us know what awaits in this futuristic tale depicting our present.
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Paul Kaye & Matthew Tennyson confirmed for West End premiere of ‘The Pillowman’

The cast will also Steve Pemberton and Lily Allen, who will play the leads in this comedic thriller following the investigation of several mysterious murders. Directed by Matthew Dunster, the show is produced by the same company that brought Prima Fascie, and will run a similar scheme of Pay What You Can for a selected…


